This issue of Mousse explores collective intelligence and the power of shared discourse. Featuring reflections on collaborative methodologies and systemic critique, it includes contributions from Eyal Weizman on detecting "hyper-relations" as tools against structural violence,…
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This issue of Mousse explores collective intelligence and the power of shared discourse. Featuring reflections on collaborative methodologies and systemic critique, it includes contributions from Eyal Weizman on detecting "hyper-relations" as tools against structural violence, and a reprinted essay by Edward W. Said on the intellectual's vital role in advancing common ideals. The publication stands in solidarity with artist Gabrielle Goliath, whose Venice Biennale project was cancelled for being deemed "divisive." With pieces from leading voices in global criticism and visual culture, this edition champions commentary as essential to contemporary thought. Printed in large format with tabloid-style features and city perspectives from Berlin, New York, London, Paris, and Los Angeles, Mousse continues to provide contemporary art with a sharp, expansive platform for critical conversation.
Mousse is where contemporary art thinks out loud. Published bimonthly in Italian and English, it delivers interviews, conversations, and essays from leading voices in global criticism, visual culture, and curating. Each issue mixes long-form writing with its signature tabloid-style features, tracking international art currents through city editors in Berlin, New York, London, Paris, and Los Angeles. Printed in a large-format layout, Mousse commissions new essays and artworks every issue, giving contemporary culture a sharp, spacious platform.