{"title":"Philosophy","description":null,"products":[{"product_id":"atlas-of-aspect-change-tine-melzer","title":"Atlas of Aspect Change","description":"Aspect change means seeing something as something else: it influences our minds, our linguistic practices, and our worldviews. The 'Atlas of Aspect Change' reflects shifting meanings viewed through the prism of language and intersubjective exchange. It elicits phenomena of perspective and reveals how words and images influence each other. It activates understanding of complex and ambiguous situations and shows how to stimulate and refine interdisciplinary discourse. The book bundles expertise from visual, literal, conceptual, cognitive, cultural, historical and geographical practices. With a foreword by Marjorie Perloff and contributions by Martin Stokhof, Thomas Strässle, Batia Suter, Liza May Post, Sigurdur Gudmundsson, Benjamin Hennig, Nicholas Davey, Silvia Maier, Alexandra Leykauf, Uta Eisenreich, Christa-Maria Lerm Hayes, Kasper Andreasen, Tobias Servaas, Nils Röller, Arja Karhumaa, Frans Oosterhof, Ton Zwerver and many more.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e626 pages\u003cbr\u003e17 x 25 cm","brand":"Rollo Press","offers":[{"title":"Default Title","offer_id":47022531314013,"sku":"9783906213361","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template_01copy_47e43ffd-6942-4f55-b898-fbe0fb19ac4e.webp?v=1738661803"},{"product_id":"monsters","title":"Monsters","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003eA passionate, provocative and blisteringly smart interrogation of how we experience art in the age of #MeToo, and whether we can separate an artist's work from their biography.\u003c\/b\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhat do we do with the art of monstrous men? Can we love the work of Roman Polanski and Michael Jackson, Hemingway and Picasso? Should we love it? Does genius deserve special dispensation? What makes women artists monstrous? And what should we do with beauty, and with our unruly feelings about it?\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eClaire Dederer explores these questions and our relationships with the artists whose behaviour disrupts our ability to understand the work on its own terms. She interrogates her own responses and behaviour, and she pushes the fan, and the reader, to do the same. 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In her role as a New York Times contributing opinion writer and the publication's \"Work Friend\" columnist, she reaches millions of readers with her wise voice and sharp insights.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWith an introduction in which Gay provides the connective tissues that link her groundbreaking writing, Opinions is a collection of Roxane Gay's best nonfiction pieces from the past ten years, addressing a wide range of topics - politics, the culture wars, civil rights, celebrities, and much more. 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Nesnaží se tedy navazovat na tradice utopického myšlení a konstruovat ideální, avšak sotva uskutečnitelnou budoucnost. Namísto toho usiluje o vyvolání diskuse o tom, jaké společenské struktury by nám všem mohly lépe vyhovovat a jaké strategie by nás mohly vést tímto směrem.\u003cbr\u003e\u003cbr\u003eImmanuel WALLERSTEIN (1930–2019) vyučoval a bádal na Kolumbijské univerzitě (1958–71), McGill University (1971-76), École des hautes études en sciences sociales v Paříži (s přestávkami zde působil mezi lety 1975 a 1995) a Binghamton University\/suny (1976–99), kde rovněž vedl Fernand Braudel Center for the Study of Economics, Historical Systems, and Civilizations. Od roku 2000 působil jako vedoucí výzkumný pracovník na Yaleově univerzitě. 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How do emotions shape the events around us? How can we acknowledge those passions? How do we understand what truly matters to us? Delve into this new issue of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eNew Philosopher\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eto find out.\u003c\/p\u003e","brand":"New Philosopher","offers":[{"title":"Default Title","offer_id":62763090051421,"sku":null,"price":17.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template-exp_ccd4c2b4-767e-4701-aa15-73987f7bf1c7.webp?v=1764668661"},{"product_id":"catalogue-of-endings","title":"Catalogue of Endings","description":"\u003cp style=\"text-align: left;\" class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cstrong\u003e\u003c\/strong\u003eEndings come in every flavour. They can be quiet or explosive, graceful or messy, liberating or devastating. Some haunt you. Some bring relief you didn't know you needed. Every ending has its own world, its own weight, its own way of closing the door.\u003cbr\u003e\u003cbr\u003eCatalogue of Endings is a collection of 148 imaginative endings. Pulling from art, film, pop culture, personal memory, and philosophy, these fragments invite you to see what an ending can look like. 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In the end, he shows, we should all 'bring no clothes,' embracing a new philosophy of living: one which activates the connections between the way we dress and the way we think, act and love.\u003c\/span\u003e\u003c\/p\u003e","brand":"Particular Books","offers":[{"title":"Default Title","offer_id":62868589936989,"sku":"9781802061147","price":17.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template-3_gif_copy_b9532f6a-132f-44a3-824a-37e1a702eb59.webp?v=1765642582"},{"product_id":"for-an-ecology-of-images","title":"For an Ecology of Images","description":"\u003cp\u003eA new, ecological approach to images by a renowned philosopher\u003c\/p\u003e\n\u003cp\u003eWhen Susan Sontag first proposed the idea of an “ecology of images,” she meant it as an exhortation to be vigilant against the vast surplus of pictures threatening our ability to truly see. 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Why has Stone’s treatise remained overlooked for so many centuries?\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIt is best read in nearly one sitting.\u003c\/p\u003e","brand":"Set Margins' publications","offers":[{"title":"Default Title","offer_id":64300348834141,"sku":"9789083532509","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template-exp_cb52db91-6372-4d07-b9c0-5998a3447857.webp?v=1776943497"},{"product_id":"beautiful-madness","title":"Beautiful Madness","description":"\u003cp\u003eCurating exhibitions and writing about art are closely related: both activities construct a meaningful narrative about artefacts and artists; both interact with a public of viewers and\/or readers; both make space for the experience of art objects. For their work, curators and art writers often tap the primary source: the living artist. This proximity to the maker allows them to delve into artistic processes and consider things in a state of becoming. This dialogue with the artist is thus an essential tool. Structured around five topics – trace, gesture, rudiment, polyphony, fortitude – ‘Beautiful Madness’ is an accumulation of Mark Kremer’s writings on contemporary art between 1993 and 2023. Featuring work by a.o. Alicia Framis, Rob Johannesma, Joan Jonas, Mike Kelley, Esther Kläs, Klaas Kloosterboer, Job Koelewijn, André Kruysen, Rirkrit Tiravanija, Jeff Wall, and many others\u003c\/p\u003e","brand":"Valiz","offers":[{"title":"Default Title","offer_id":64547743957341,"sku":"9789493246362","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template-exp_LuciaGandelova_sconflictedcopy2026-04-2916.webp?v=1777479549"},{"product_id":"productive-archiving","title":"Productive Archiving","description":"\u003cp\u003eArchival organisation is a basic symbolic mode with which we organise our lives and the past, present, and future. ‘Productive Archiving’ discusses a variety of problems in archival organisation, in particular three issues that are usually overlooked in archives: the question of inclusion or exclusion; the loss of individuality and specificity (i.e., homogenisation); and that archiving may become a form of pigeonholing, putting specific identities into a confined space. This book suggests exploring constructive and creative solutions, especially through the example of artistic archives, which tend to offer speculative, unexpected ways to order, select, and narrate information.\u003c\/p\u003e","brand":"Valiz","offers":[{"title":"Default Title","offer_id":64548479926621,"sku":"9789493246164","price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template-exp_LuciaGandelova_sconflictedcopy2026-04-2914.webp?v=1777479428"},{"product_id":"they-lied-to-you-about-the-eunuchs","title":"THEY LIED TO YOU ABOUT THE EUNUCHS","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis book project introduces the history of eunuchism through auto-theory, historiography, historical fiction and poetry, exploring this identity in the ancient world and what kind of echoes can be heard in the present day. By overlapping various histories, and drawing the line between eunuchs in antiquity and contemporary gender discourse, Odete makes a case for a history of gender that hasn’t yet been written, asking what is the relevance of eunuchs to the history of art? And what does the study of the eunuch expose about the current world? \u003c\/span\u003e\u003c\/p\u003e","brand":"Outline Platform","offers":[{"title":"Default Title","offer_id":64568712855901,"sku":null,"price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template-exp_LuciaGandelova_sconflictedcopy2026-04-305.webp?v=1777559935"},{"product_id":"2-bundle-theory","title":"¶#2: Bundle Theory","description":"\u003cp\u003e\u003cem\u003e“Collecting happens through the sensory. I collect sounds through listening; scents through smelling; images through vision. I store memories in my body; voluntarily (pleasure), involuntarily (heartbreak), or both (melancholia). But an affective collection can happen through objects too. My fantasy of doll as companion was really a wish for an extra set of eyes. As if the doll would archive experiences with me; a back-up of some sort, or an extra pair of guts.”\u003cbr\u003e\u003c\/em\u003efrom: An aesthetic of (im)patience: hoarding, collection, memory, an essay by Romy Day Winkel and included in the publication.\u003c\/p\u003e\n\u003cp\u003eFor #2 in the ¶ (Pilcrow)-series Romy Day Winkel has approached collecting, or hoarding, as an aesthetic of patience. Through her selection of Wikipedia articles she looks at what happens when objects, magical or otherwise, are all put together. If it is impossible, and perhaps even uninteresting, to know when a collection or archive is finished, how does one start to hoard\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eimpatiently\u003c\/em\u003e?\u003c\/p\u003e\n\u003cp\u003e¶#2 consists solely of texts and images found on the online collaborative platform Wikipedia. ¶#2 is assembled by Romy Day Winkel.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.romydaywinkel.net\/\" rel=\"noreferrer\" target=\"_blank\"\u003eRomy Day Winkel\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eis a writer, editor and musician based in Amsterdam. She interviews poets for Perdu’s podcast series and runs a publication called SNAKY ZINE. Her research on radicalising romance is expanding via the Critical Studies program at Sandberg Institute, as well as her\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.instagram.com\/romance_utopia\" rel=\"noreferrer\" target=\"_blank\"\u003edigital archive\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand radio show.\u003cbr\u003e\u003c\/p\u003e","brand":"Outline Platform","offers":[{"title":"Default Title","offer_id":64568915624285,"sku":null,"price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template-exp_LuciaGandelova_sconflictedcopy2026-04-306.webp?v=1777560754"},{"product_id":"liberal-fascisms","title":"Liberal Fascisms","description":"\u003cp\u003eWith an apparently contradictory and characteristically makeshift term, ‘Liberal Fascisms’, Slavoj Žižek captures the paradoxical nature of political populism. 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With no cure in hand, but a refusal to dispense with thought that is muddled and murky, these interventions are both timely and resolute.\u003c\/p\u003e\n\u003cp\u003eFrom the so-called “death of truth” opens up the possibility for a new authentic truth… or for an even bigger lie. And ultimately we must ask – what forms of justice are made possible by this disorder? Liberal Fascisms is also available in audiobook format from audiobook retailers.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Bloomsbury Publishing","offers":[{"title":"Default Title","offer_id":64671146901853,"sku":"9781350573161","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template-exp_ca4eab93-0620-480c-89b8-95165b62ed98.webp?v=1778668332"},{"product_id":"beigeification™","title":"Beigeification™","description":"\u003cp\u003eBlack Forest Library is a series for dilettante artistic research that wanders between the disciplines: from em-dashes to emblems, palm trees to peeing, Ulysses to Virginia Woolf, and basketball to furniture.\u003c\/p\u003e\n\u003cp\u003eBeige is everywhere. 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Le Guin se ve svém zásadním eseji z roku 1986 se zamýšlí nad „velkým vyprávěním“ západní kultury, které je lineární, dobyvačné, zaměřené na jediného hrdinu. Dějiny lidstva ovšem nezačaly hrdinou, jenž kopím skolil mamuta. Začaly někým, kdo do pytle, košíku či nádoby ukládal semena, kořínky a později i slova.\u003c\/p\u003e\n\u003cp\u003eJe těžké vyprávět poutavý příběh o tom, jak jsem ze slupky vyprostila semínko divokého ovsa a pak ještě jedno a ještě a ještě a pak ještě jedno, pak jsem si škrábala komáří štípance a Ool řekla něco vtipného, pak jsme šly k potoku, napily se vody a chvíli pozorovaly mloky a potom jsem našla další oves… Ne, to se nedá srovnat. 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