{"title":"Design in Context","description":"","products":[{"product_id":"studio-culture","title":"Studio Culture Now","description":"\u003cp\u003eStudio Culture Now is the essential guide to setting up, running and developing a design studio. It offers bang up-to-date advice and guidance for designers working in a world of rapid change.\u2028 Studio Culture Now features in-depth interviews with a host of leading design studios. The interviewees share their experiences, insights, fears and joys, and reveal how they deal with the fundamentals and aspirations of studio life. Candid and generous, these extensive Q\u0026amp;As form a blueprint for anyone planning a studio practice, or anyone struggling with maintaining one. Topics covered include: getting jobs, working with clients, balancing creativity with profitability, accounting, hiring, promotion, well-being, and much more. The interviews, mostly conducted in 2020, also reveal how studios are adapting to the changes brought about by the coronavirus pandemic.\u003cbr\u003e\u003cbr\u003eFeatured studios include: Atelier Dyakova, Champions Design, Civilization, Design by Toko, DIA, ÉricandMarie, Formist, Google Design, GUNMAD \/ Or Type, Hansje van Halem, Helmo, Hey Studio, Hubertus Design, Jade Purple Brown, Julia, Morcos Key, My Name is Wendy, Neubau, Office of Craig, OK-RM, Parámetro Studio, Peepshow, ps.2, Regular Practice, Sara De Bondt studio, Sarah Boris Studio, Studio Rejane Dal Bello, Vrints-Kolsteren, WeShouldDoItAll, YesYesNo. An extensive ‘Studio Intelligence’ section provides a checklist covering vital topics such as the benefits and pitfalls of remote working, space sharing, professional help and social media policies.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Thames \u0026 Hudson","offers":[{"title":"Default Title","offer_id":40612576002205,"sku":"9781916457362","price":57.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template_01copy_32d792f2-d71f-483b-b102-c96136fc47ce.webp?v=1738673581"},{"product_id":"design-for-the-real-world","title":"Design for the Real World","description":"Design for the Real World has been translated into over twenty languages since it first appeared in 1971; it has become the world's most widely read book on design and is an essential text in many design and architectural schools. This edition offers a blueprint for survival in the third millennium. Victor Papanek's lively and instructive guide shows how design can reduce pollution, overcrowding, starvation, obsolescence and other modern ills.He leads us away from 'fetish objects for a wasteful society' towards a new age of morally and environmentally responsible design.","brand":"Thames \u0026 Hudson","offers":[{"title":"Default Title","offer_id":40827368243357,"sku":"9780500295335","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template_01copy_04834d96-74dd-479e-bf3d-a67a2676f192.webp?v=1738673012"},{"product_id":"the-green-imperative","title":"The Green Imperative","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhether it's horror at plastic littering the world's beaches, or despair at the melting of the polar ice caps, the world is gradually waking up to the impending climate disaster. In The Green Imperative, Papanek argues for design that addresses these issues head on. This means using materials that can be recycled and re-used, no more pointless packaging, thinking about how products make us feel and engage all our senses, putting nature at the heart of design, working at a smaller scale, rejecting aesthetics for their own sake, and thinking before we buy.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFirst published at the close of the 20th century, the book offered a plethora of honest advice, clear examples and withering critique, laying out the flaws and opportunities of the design world at that time. A quarter of a century on, Papanek's lucid prose has lost none of its verve, and the problems he highlights have only become more urgent, giving today's reader both a fascinating historical perspective on the issues at hand and a blueprint for how they might be solved.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWith 141 illustrations, 26 in colour\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Thames \u0026 Hudson","offers":[{"title":"Default Title","offer_id":40827368898717,"sku":"9780500296196","price":17.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template_01copy_c7a65505-8897-47ad-8517-47bc2dd82e78.webp?v=1738672953"},{"product_id":"the-politics-of-design","title":"The Politics of Design","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe Politics of Design explores the cultural and political context of the typography, colours, photography, symbols, and information graphics that we use every day. Designers, communication specialists, and image-makers possess the power to shape visual communication, and with that power comes great responsibility. Are we as creative professionals really aware of the political meaning and impact of our work in today’s network society? This book examines cultural contexts and stereotypes with visual examples from around the world. It demonstrates that communication tools are never neutral, and encourages its users to rethink global cultural understanding. Additional works by contemporary artists and designers show that political awareness does not limit creativity, but opens up new explorations for a critical visual culture.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":41321067872413,"sku":"9789063694227","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template-exp_5f96da35-8ad4-4c0a-8988-78d3d7d792ea.webp?v=1744192996"},{"product_id":"in-praise-of-shadows-jun-ichiro-tanizaki","title":"In Praise of Shadows","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAn essay on aesthetics by the Japanese novelist, this book explores architecture, jade, food, and even toilets, combining an acute sense of the use of space in buildings. The book also includes descriptions of laquerware under candlelight and women in the darkness of the house of pleasure.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"product__description truncated--disabled\"\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Leete's Island Books","offers":[{"title":"Default Title","offer_id":41321139241117,"sku":"9780918172020","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template-exp_8a05b0c7-c11e-441d-8290-954444ba7c06.webp?v=1765193580"},{"product_id":"documents-on-contemporary-crafts-1-5","title":"Documents on Contemporary Crafts 1-5","description":"The unique series on the current issues of contemporary crafts now united in a beautifully designed box\u003cbr data-mce-fragment=\"1\"\u003eThe most important theorists from the crafts field have contributed to these publications\u003cbr data-mce-fragment=\"1\"\u003eDocuments on Contemporary Crafts is a book series published by Norwegian Crafts in collaboration with Arnoldsche Art Publishers. The series provides a critical reflection of contemporary crafts in a wider context and in doing so asks questions about the ties between contemporary craft, fine art and design, thus helping to redefine the concept of crafts as such. The five volumes discuss such topics as skills, materiality, curating, collecting, perception and New Materializm. The more than thirty contributors range from leading craft theorists, such as Jorunn Veiteberg, Glenn Adamson and Liesbeth den Besten, via academics outside the craft tradition, such as Roger L. Kneebone, professor of surgical education, Trevor Marchand, professor of social anthropology, and Margaret Wasz, consultant psychological therapist, to emerging voices like Sarah R. Gilbert, Marianne Zamecznik and Stephen Knott.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNo. 1: Museum for Skills. Skills are essential to the crafts discourse. Yet in an art world that for the last 50 years has become increasingly focused on conceptual strategies, we have seen the tendencies of deskilling and outsourcing. In Museum for Skills, the contributors analyze the current situation for skills by drawing on experience from the fields of brain research, surgery and anthropology.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNo. 2: Materiality Matters. If materiality is a quality-related concept in both contemporary crafts and contemporary art, are we talking about the same notion? Or is there a fundamental difference between, on one hand, a maker's confidence in his or her materials, and on the other, a contemporary artist's use and adaption of a given material?\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNo. 3: Crafting Exhibitions. Curatorial discourse has been an increasingly important aspect of contemporary art. The curator took on a new role as the 'author' of the exhibition. Crafting Exhibitions introduces some of the processes that go into making an exhibition, from developing concepts to the physical realization. The contributors offer different approaches to exhibitions.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNo. 4: On Collecting. Collections make up an important part of the contemporary arts and crafts infrastructure. Collectors and museums help improve the financial situation of artists. Additionally, to be included in the 'right' collection or museum can give an artist a high level of recognition and preserves the art works for the future. On Collecting offers insights into collecting from different perspectives and sheds light on some of the structures that determine the 'collectability' of works of art.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNo. 5: Material Perceptions. Contemporary craft objects can be perceived for instance, as works of art in ceramics, glass, textile, metal and wood, or as functional, handmade and everyday objects. Material Perceptions investigates contemporary crafts as representations of reality that do not rely on the concept of autonomy, unravelling the dualism between aesthetic objects and everyday things.","brand":"Arnoldsche","offers":[{"title":"Default Title","offer_id":41386899505309,"sku":"9783897905801","price":100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template_01copy_2a5d0e22-7549-4c28-af3b-c3801bf89ef8.webp?v=1738671536"},{"product_id":"designing-japan-kenya-hara","title":"Designing Japan","description":"Designing Japan: A Future Built on Aesthetics presents renowned designer Kenya Hara’s vision of how his industry can support Japan in crafting a future founded on a unique philosophy of beauty as well as crowd-sourced wisdom from around the world. The book spans history from the beginnings of professional Japanese design in the sixteenth century to the impact of the 2011 Tohoku earthquake, but Hara’s focus is the future. A master collaborator, meticulous organizer, and globally conscious innovator, he draws on more than three decades of participation in design work and exhibition curating, as well as deep professional interaction with creators from many fields. Designing Japan serves as a foundation course on the essence of Japanese aesthetics while maintaining a practical approach to Japan’s circumstances and future possibilities. Hara reveals the methods by which designers in Japan continue to work in tandem with government and industry to form publicly accessible aesthetic inquiries into how this island nation will proceed as its population ages, other nations take over manufacturing, and technology develops. Illustrations and examples recognize successful problem solving through design, proving that it is a living, changing industry that remains relevant not in spite of, but as a partner to, advancing technology.","brand":"Lars Müller Publishers","offers":[{"title":"Default Title","offer_id":41604665540765,"sku":"9783037786116","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template_01copy_4be79df5-fea6-4473-9250-5c7b79dab82b.webp?v=1738670783"},{"product_id":"caps-lock","title":"Caps Lock","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn this book, Dutch graphic designer Ruben Pater uses clear language and visual examples to show how graphic design and capitalism are inextricably linked. Capitalism could not exist without the myriad banknotes, documents, infographics, interfaces, branding, and advertisements created by graphic designers. Even anti-consumerist strategies such as social and speculative design are appropriated to serve economic growth. Design, it seems, is locked in a cycle of exploitation and extraction, furthering global inequality and environmental collapse. Featured are six radical design cooperatives that resist capitalist thinking, hoping to inspire a more socially aware practice.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Valiz","offers":[{"title":"Default Title","offer_id":42807882809501,"sku":"9789492095817","price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template-exp_45af56ad-23ca-4dc6-abb3-fb3ab8b40672.webp?v=1757414491"},{"product_id":"this-is-service-design-thinking","title":"This is Service Design Thinking","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThis book, assembled to describe and illustrate the emerging field of service design, was brought together using exactly the same co-creative and user-centred approaches you can read and learn about inside. The boundaries between products and services are blurring and it is time for a different way of thinking: this is service design thinking. A set of 23 international authors and even more online contributors from the global service design community invested their knowledge, experience and passion together to create this book. It introduces service design thinking in manner accessible to beginners and students, it broadens the knowledge and can act as a resource for experienced design professionals.\u003c\/p\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":43067048067229,"sku":"9789063692797","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template-exp_17d9a3b0-56b5-4a2e-95e3-caf691505337.webp?v=1748525919"},{"product_id":"moderni-typografie-robin-kinross","title":"Moderní typografie","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003csection class=\"mb-large\" id=\"description\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-collapse=\"300\" class=\"cms-article\" data-mce-fragment=\"1\"\u003ePopularizační kniha\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eModerní typografie: esej v kritické historii\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e(Modern typography: an essay in critical history; vyd. 1992) představuje zásadní a hluboký příspěvek k tématu tisku a typografie a je životním dílem Robina Kinrosse, které se postupem času stalo součástí základní typografické literatury. Kinross v ní přichází s originální myšlenkou, že modernismus v typografii se neobjevil až koncem 20. let minulého století, ale již se sebereflexí tisku a s rozvojem racionalizace tiskařských procesů a nástrojů. Tento pohyb Kinross zaznamenává kolem roku 1700 a odsud pak sleduje vývoj tzv. modernistické typografie. Na rozdíl od většiny historií typografie tak nechápe modernismus jako odchylku od tradiční typografie, ale zároveň zvažuje i jiné než pouze vizuální aspekty, čímž se vyhýbá bibliofilské nostalgii, pro typografickou kulturu tak typickou. Kniha obsahuje řadu barevných ukázek typografických prací. Překlad Jan Čumlivski. Grafika Kateřina Šuterová.\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"mb-medium\" id=\"details\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"card card--well text-medium pb-none\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"card__content\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"row mb-none\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"UMPRUM","offers":[{"title":"Default Title","offer_id":43068104310941,"sku":"9788088308096","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template_01copy_5560adf1-99c7-4e3d-a9e3-499b18f4dc29.webp?v=1738668512"},{"product_id":"design-and-violence","title":"Design and Violence","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-text-bold\" data-mce-fragment=\"1\"\u003eAn unprecedented examination of design’s ability to effect, defuse, obfuscate or unveil manifestations of violence in contemporary society\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eDesign has a history of violence. It can be an act of creative destruction and a double-edged sword, and yet professional discourse around design has been dominated by voices that only trumpet its commercial and aesthetic successes. Violence, defined here as the power to alter circumstances against the will of others and to their detriment, is ubiquitous in history and in contemporary society. In recent years, moreover, technology has introduced new threats and added dramatically to the many manifestations of violence. \u003c\/span\u003e\u003cspan class=\"a-text-italic\" data-mce-fragment=\"1\"\u003eDesign and Violence\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e is an exploration of the relationship between the two that sheds light on the complex impact of design on the built environment and on everyday life, as well as on the forms of violence in contemporary society. Published to accompany an online experiment launched by The Museum of Modern Art in October 2013, this book brings together controversial, provocative and compelling design projects with leading voices from a variety of fields. Each invited author responds to one object chosen by the curators―ranging from an AK-47 to a Euthanasia Rollercoaster, from plastic handcuffs to the Stuxnet digital virus―and invites dialogue, comments, reflection and active, occasionally fierce, debate. Examples of questions posed include: Can we design a violent act to be more humane? How far can the state go to protect its borders from immigration before it becomes an act of violence? Is violence \"male\"? These experimental and wide-ranging conversations host voices from the fields of art and design, science, law, criminal justice, ethics, finance, journalism and social justice, making \u003c\/span\u003e\u003cspan class=\"a-text-italic\" data-mce-fragment=\"1\"\u003eDesign and Violence\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e an invaluable resource for lively discussions and classroom curricula.\u003c\/span\u003e","brand":"The Museum of Modern Art, New York","offers":[{"title":"Default Title","offer_id":44261037277497,"sku":"9780870709685","price":33.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template_01copy_203e80cf-11d5-4b0b-a7aa-aca9aec71d2a.webp?v=1738665648"},{"product_id":"design-after-capitalism","title":"Design after Capitalism","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"a-text-bold\" data-mce-fragment=\"1\"\u003eHow design can transcend the logics, structures, and subjectivities of capitalism: a framework, theoretical grounding, and practical principles.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe designed things, experiences, and symbols that we use to perceive, understand, and perform our everyday lives are much more than just props. They directly shape how we live. In Design after Capitalism, Matthew Wizinsky argues that the world of industrial capitalism that gave birth to modern design has been dramatically transformed. Design today needs to reorient itself toward deliberate transitions of everyday politics, social relations, and economies. Looking at design through the lens of political economy, Wizinsky calls for the field to transcend the logics, structures, and subjectivities of capitalism—to combine design entrepreneurship with social empowerment in order to facilitate new ways of producing those things, symbols, and experiences that make up everyday life.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eAfter analyzing the parallel histories of capitalism and design, Wizinsky offers some historical examples of anticapitalist, noncapitalist, and postcapitalist models of design practice. These range from the British Arts and Crafts movement of the nineteenth century to contemporary practices of growing furniture or biotextiles and automated forms of production. Drawing on insights from sociology, philosophy, economics, political science, history, environmental and sustainability studies, and critical theory—fields not usually seen as central to design—he lays out core principles for postcapitalist design; offers strategies for applying these principles to the three layers of project, practice, and discipline; and provides a set of practical guidelines for designers to use as a starting point. The work of postcapitalist design can start today, Wizinsky says—with the next project. \u003c\/span\u003e","brand":"The MIT Press","offers":[{"title":"Default Title","offer_id":44395394203961,"sku":"9780262543569","price":37.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template_01copy_78c56281-03b3-4052-8ea8-6fd11474ad2a.webp?v=1738665179"},{"product_id":"co-art","title":"Co-Art","description":"\u003cp\u003eTwenty-five leading artist duos and collectives give insight into how and why to work collaboratively\u003cbr\u003e\u003cbr\u003eArt history is traditionally presented as the individual's struggle for self-expression, yet over the past fifty years, the number of artists working collaboratively has grown exponentially. Co-Art: Artists on Creative Collaboration explores this phenomenon through conversations with twenty-five leading art-world pairs and groups, who offer insight that is relevant beyond the art world, making this book vital for all who seek to work creatively and effectively with others.\u003cbr\u003e\u003cbr\u003eArtists featured: Allora \u0026amp; Calzadilla, Assemble, Auguste Orts, ayr, Biggs \u0026amp; Collings, Broomberg \u0026amp; Chanarin, ChimPom, Claire Fontaine, DAS INSTITUT, DIS, Elmgreen \u0026amp; Dragset, Eva \u0026amp; Franco Mattes, GCC, Gelitin, Guerrilla Girls, Iain Forsyth and Jane Pollard, Jane and Louise Wilson, John Wood and Paul Harrison, LaBeouf, Rönkkö \u0026amp; Turner, Lizzie Fitch\/Ryan Trecartin, Los Carpinteros, Pauline Boudry\/Renate Lorenz, Raqs Media Collective, SUPERFLEX\u003cbr\u003e\u003c\/p\u003e","brand":"Phaidon","offers":[{"title":"Default Title","offer_id":44539565539641,"sku":"9780714872889","price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template_01copy_e3bcbdbd-ecff-4f5e-9aac-5675777a8fef.webp?v=1738664835"},{"product_id":"the-impossibility-of-silence-ian-lynam","title":"The Impossibility of Silence","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Impossibility of Silence is a book for artists, designers and photographers interested in approaching writing about their vocation and culture. 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Many are so intangible, always and everywhere, we don’t even realize they’re there until they fail. The universe of services is expanding faster than ever creating new problem new kinds of services, and along with it, new modes of failure exposing us to unexpected costs and risks. Even simple services are dynamic and complex in the way supply meets demand to fulfill a promise. Therefore, when services fail to meet expectations because their design is simplistic or superficial, we’re even more disappointed. This book is about having new eyes and new perspectives for exploring the universe of services, grasping their realities, and deepening our understanding of them; what services really are, what they could be, and why they even exist. Narrowing down on the true nature of services, broadens the possibilities for design. With simple drawings, symbols, and a few extraordinary words, this book introduces the basis of a design language for services. 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Revised with the careful attention of widely respected author and professor of graphic design Alex W. White, Editing by Design, Fourth Edition, describes how both word people and design people have the same task: to reveal the true core of each message as plainly and compellingly as possible. It is a book vital to creators of today’s online and print media.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eReaders will find ways to marry content and form, helping story and design to reinforce each other, and create pages that are irresistible. 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And how is the culturally various act of sitting itself reflected in this functional commodity?\u003cbr data-mce-fragment=\"1\"\u003eMatteo Guarnaccia’s (born 1954) \u003c\/span\u003e\u003cspan class=\"a-text-italic\" data-mce-fragment=\"1\"\u003eCross Cultural Chairs\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a research-based design project “about the cultural context of furniture, understanding how globalization is shaping design around the world,” he writes. “It’s an exploration that lies between social and technical aspects of chairs.” To execute this project, Guarnaccia visited eight different countries to conduct research and talk to local design studios, ultimately collaborating with them to portray each culture in the form of a chair. \u003c\/span\u003e\u003cspan class=\"a-text-italic\" data-mce-fragment=\"1\"\u003eCross Cultural Chairs\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e plumbs the hidden depths of furniture design and the ways in which cultural norms assert themselves through functional commodities, opening up a conversation about identity, community and expression through chairs.\u003c\/span\u003e\u003c\/p\u003e","brand":"Onomatopee Projects","offers":[{"title":"Default Title","offer_id":48929378959709,"sku":"9789493148451","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template_01copy_b1f99787-bfc2-4098-a19c-49ec65db4cbc.webp?v=1738595069"},{"product_id":"emotion-by-design-greg-hoffman","title":"Emotion By Design","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHow did Nike go from being a small sneaker brand to the world's most revered company?\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhy do its campaigns - from 'Just do it' to the famous Nike swoosh - capture the imaginations of millions worldwide?\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnd what can any founder or marketer learn from them?\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGreg Hoffman joined Nike as 22-year-old design intern. 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Widely recognized as a fabulously designed and immaculately researched design \u0026amp; crafts biannual, it is an indispensable resource for all those who want backstage information about the life of things.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e","brand":"MacGuffin Publishing","offers":[{"title":"Default Title","offer_id":49381700043101,"sku":null,"price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template_01copy_b543e291-9e58-4ff8-a17e-87df41e9e6c1.webp?v=1761737798"},{"product_id":"unlicensed","title":"UNLICENSED","description":"\u003cp\u003eOver the last few decades the term “bootlegging” has become understood as a creative act. The debates about homage, appropriation, and theft that are common in the art world are now being held in the sphere of corporate branding, social media, and the creative industry as a whole. Bootlegging has become fetishized as an aesthetic in and of itself, influencing everything from underground record labels to DIY T-shirts, and from publishing ideologies to acts of haute couture détournement. ‘Unlicensed’ presents 21 interviews with an array of creative practitioners on the topic of bootlegging, investigating its creative and critical potential and how it can thrive as a cultural force.\u003cbr\u003e\u003c\/p\u003e","brand":"Valiz","offers":[{"title":"Default Title","offer_id":49381901762909,"sku":"9789493246294","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template-exp_0b53b829-8573-4fae-85f4-2f61131db027.webp?v=1780576428"},{"product_id":"the-gutenberg-parenthesis-jeff-jarvis","title":"The Gutenberg Parenthesis","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Gutenberg Parenthesis traces the epoch of print from its fateful beginnings to our digital present – and draws out lessons for the age to come.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe age of print is a grand exception in history. For five centuries it fostered what some call print culture – a worldview shaped by the completeness, permanence, and authority of the printed word. As a technology, print at its birth was as disruptive as the digital migration of today. Now, as the internet ushers us past print culture, journalist Jeff Jarvis offers important lessons from the era we leave behind.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTo understand our transition out of the Gutenberg Age, Jarvis first examines the transition into it. Tracking Western industrialized print to its origins, he explores its invention, spread, and evolution, as well as the bureaucracy and censorship that followed. 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