{"title":"Design in Context","description":"","products":[{"product_id":"design-for-the-real-world","title":"Design for the Real World","description":"Design for the Real World has been translated into over twenty languages since it first appeared in 1971; it has become the world's most widely read book on design and is an essential text in many design and architectural schools. This edition offers a blueprint for survival in the third millennium. Victor Papanek's lively and instructive guide shows how design can reduce pollution, overcrowding, starvation, obsolescence and other modern ills.He leads us away from 'fetish objects for a wasteful society' towards a new age of morally and environmentally responsible design.","brand":"Thames \u0026 Hudson","offers":[{"title":"Default Title","offer_id":40827368243357,"sku":"9780500295335","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template_01copy_04834d96-74dd-479e-bf3d-a67a2676f192.webp?v=1738673012"},{"product_id":"the-green-imperative","title":"The Green Imperative","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhether it's horror at plastic littering the world's beaches, or despair at the melting of the polar ice caps, the world is gradually waking up to the impending climate disaster. In The Green Imperative, Papanek argues for design that addresses these issues head on. This means using materials that can be recycled and re-used, no more pointless packaging, thinking about how products make us feel and engage all our senses, putting nature at the heart of design, working at a smaller scale, rejecting aesthetics for their own sake, and thinking before we buy.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFirst published at the close of the 20th century, the book offered a plethora of honest advice, clear examples and withering critique, laying out the flaws and opportunities of the design world at that time. A quarter of a century on, Papanek's lucid prose has lost none of its verve, and the problems he highlights have only become more urgent, giving today's reader both a fascinating historical perspective on the issues at hand and a blueprint for how they might be solved.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWith 141 illustrations, 26 in colour\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Thames \u0026 Hudson","offers":[{"title":"Default Title","offer_id":40827368898717,"sku":"9780500296196","price":17.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template_01copy_c7a65505-8897-47ad-8517-47bc2dd82e78.webp?v=1738672953"},{"product_id":"the-politics-of-design","title":"The Politics of Design","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe Politics of Design explores the cultural and political context of the typography, colours, photography, symbols, and information graphics that we use every day. Designers, communication specialists, and image-makers possess the power to shape visual communication, and with that power comes great responsibility. Are we as creative professionals really aware of the political meaning and impact of our work in today’s network society? This book examines cultural contexts and stereotypes with visual examples from around the world. It demonstrates that communication tools are never neutral, and encourages its users to rethink global cultural understanding. Additional works by contemporary artists and designers show that political awareness does not limit creativity, but opens up new explorations for a critical visual culture.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"BIS","offers":[{"title":"Default Title","offer_id":41321067872413,"sku":"9789063694227","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template-exp_5f96da35-8ad4-4c0a-8988-78d3d7d792ea.webp?v=1744192996"},{"product_id":"caps-lock","title":"Caps Lock","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn this book, Dutch graphic designer Ruben Pater uses clear language and visual examples to show how graphic design and capitalism are inextricably linked. Capitalism could not exist without the myriad banknotes, documents, infographics, interfaces, branding, and advertisements created by graphic designers. Even anti-consumerist strategies such as social and speculative design are appropriated to serve economic growth. Design, it seems, is locked in a cycle of exploitation and extraction, furthering global inequality and environmental collapse. Featured are six radical design cooperatives that resist capitalist thinking, hoping to inspire a more socially aware practice.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Valiz","offers":[{"title":"Default Title","offer_id":42807882809501,"sku":"9789492095817","price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template-exp_45af56ad-23ca-4dc6-abb3-fb3ab8b40672.webp?v=1757414491"},{"product_id":"this-is-service-design-thinking","title":"This is Service Design Thinking","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThis book, assembled to describe and illustrate the emerging field of service design, was brought together using exactly the same co-creative and user-centred approaches you can read and learn about inside. The boundaries between products and services are blurring and it is time for a different way of thinking: this is service design thinking. A set of 23 international authors and even more online contributors from the global service design community invested their knowledge, experience and passion together to create this book. 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Revised with the careful attention of widely respected author and professor of graphic design Alex W. White, Editing by Design, Fourth Edition, describes how both word people and design people have the same task: to reveal the true core of each message as plainly and compellingly as possible. It is a book vital to creators of today’s online and print media.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eReaders will find ways to marry content and form, helping story and design to reinforce each other, and create pages that are irresistible. 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Widely recognized as a fabulously designed and immaculately researched design \u0026amp; crafts biannual, it is an indispensable resource for all those who want backstage information about the life of things.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e","brand":"MacGuffin Publishing","offers":[{"title":"Default Title","offer_id":49381700043101,"sku":null,"price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template_01copy_b543e291-9e58-4ff8-a17e-87df41e9e6c1.webp?v=1761737798"},{"product_id":"unlicensed","title":"UNLICENSED","description":"\u003cp\u003eOver the last few decades the term “bootlegging” has become understood as a creative act. The debates about homage, appropriation, and theft that are common in the art world are now being held in the sphere of corporate branding, social media, and the creative industry as a whole. 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How does one invent a fish tale, an air-cooled engine, a new plastic? ... fantasy, invention, creativity think; imagination sees.”\u003cbr\u003eNever before translated into English, Bruno Munari’s Fantasy, originally published in Italian in 1977, invites the reader to explore their own imagination, creativity and fantasy through a journey into Munari’s mind and work. His theory of creativity, developed in conversation with the Reggio Emilia Approach (a self-guided approach to education) and the work of Jean Piaget (a Swiss developmental psychologist who proffered a theory termed “genetic epistemology”) foregrounds the book’s journey through Munari’s design processes, both working for clients and teaching design principles to children. 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Text převzatý z edice Ästhetik des Buches německého nakladatelství Wallstein rozšiřuje škálu vydávaných publikací o podněty z německojazyčného kulturního prostoru. Na rozdíl od konvenčního líbivého designu, který sází na okamžitý optický požitek a spokojí se s pouhou názorností nebo euforizací obsahu, je pro Pammingera design tvůrčím, význam vytvářejícím aktem sdělení. 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Often, they lack the headspace to think deeply about designing for effective public engagement. \"Conversational Design\" helps designers within public and social organizations improve co-design and informed decision making practices.\u003c\/p\u003e\n\u003cp\u003eThe book offers practical tools and case studies to stimulate participation and foster better conversations, all aimed at achieving shared goals. It also provides a fresh perspective on consolidating data from civic conversations into actionable insights for policymakers. This critical, often overlooked step ensures that citizen voices have a stronger impact on design and policymaking processes.\u003c\/p\u003e\n\u003cp\u003eBy presenting a novel understanding of design, this book serves both practitioners and scholars of design, as well as professionals in related fields that use objects and tools to shape social situations. It guides readers in making informed decisions on complex social challenges.\u003c\/p\u003e","brand":"BIS Publishers","offers":[{"title":"Default Title","offer_id":57846319743325,"sku":"9789063697327","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template-exp_585ea936-e6fd-4207-bfc5-fd0502ec8d9a.webp?v=1750774737"},{"product_id":"the-logic-of-information","title":"The Logic of Information","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLuciano Floridi presents an innovative approach to philosophy, conceived as conceptual design. He explores how we make, transform, refine, and improve the objects of our knowledge. His starting point is that reality provides the data, to be understood as constraining affordances, and we transform them into information, like semantic engines. Such transformation or repurposing is not equivalent to portraying, or picturing, or photographing, or photocopying anything.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIt is more like cooking: the dish does not represent the ingredients, it uses them to make something else out of them, yet the reality of the dish and its properties hugely depend on the reality and the properties of the ingredients. Models are not representations understood as pictures, but interpretations understood as data elaborations, of systems. Thus, he articulates and defends the thesis that knowledge is design and philosophy is the ultimate form of conceptual design.\u003c\/span\u003e\u003c\/p\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":57912365875549,"sku":"9780198833635","price":59.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template-exp_6e3df2d3-d9f5-44ad-abd4-987bad8bcb75.webp?v=1751474043"},{"product_id":"nerd-evolution-of-script","title":"Nerd: Evolution of Script from Pictogram to the Alphabet","description":"\u003cp\u003eArtistic research: a gradual transformation of a reference image into a system of symbols. The author creates a script for a fictional, non-existent language, proceeding similarly to some historical civilisations: from pictograms through reduction and abstraction to a formal structure of an alphabet. The original image input is rooted in the visual culture of the author's formative years, mainly pop-culture phenomena.\u003c\/p\u003e\n\u003cp\u003eThe project connects artistic research, design experiment, speculative historical fabulation and a statement of personal lived experience into one whole. It is a testimony to writing scripts as living and changing organisms that shape the understanding of the world, collective memory and individual identity.\u003c\/p\u003e\n\u003cp\u003eThe project was created as a bachelor's thesis in the studio Typolab at the Department of Visual Communication of the Academy of Fine Arts and Design in Bratislava.\u003c\/p\u003e\n\u003cp\u003eLimited edition: 20 copies \u003c\/p\u003e","brand":"Self-published","offers":[{"title":"Default Title","offer_id":58197772697949,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/NERD.webp?v=1754664216"},{"product_id":"lella-and-massimo-vignelli","title":"Lella and Massimo Vignelli","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLella and Massimo Vignelli promote a modernist philosophy of designing for a better society: resourceful use of space and materials, clear communication, lasting quality, and logical functionality. Lella and Massimo Vignelli: Two Lives, One Vision is a portrait of two important twentieth-century designers whose careers have intertwined since the 1950s. The Vignellis promote a modernist philosophy of designing for a better society: resourceful use of space and materials, clear communication, lasting quality, and logical functionality.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThrough a mix of archival research and personal interviews with Lella, Massimo, and their many colleagues and clients, Jan Conradi documents the Vignellis' nuanced approach to \"cleaning up\" an often chaotic and messy society by adhering to a minimalist and structured design method. The Vignellis' lifetime commitment to a world of design ismarked by vibrant client relationships and unwavering attention to detail. With wit, grace, focus, and finesse, the Vignellis' sustained pattern of working and living has influenced, and continues to inspire, generations of designers worldwide.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eJAN CONRADI is a Professor of Graphic Design at Rowan University in New Jersey, where she teaches typography and design history.\u003c\/span\u003e\u003c\/p\u003e","brand":"RIT Cary Graphic Arts Press","offers":[{"title":"Default Title","offer_id":58424108450141,"sku":null,"price":38.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template-exp_5d787e72-a17f-4bb9-90c5-c34e230247eb.webp?v=1756909230"},{"product_id":"the-design-comedy-the-descent-through-inferno","title":"The Design Comedy: The Descent Through Inferno","description":"\u003cp\u003eDesign is a hellmouth of disappointment and a harrowing pit of professional failure. In this paraphrase of Dante’s 'Divine Comedy', Otto von Busch, a pitiful design professor, searches for the design workshop at Parsons. Proving inaccessible, the lost professor falls into despair. However, a recently fired workshop technician, Virgil, appears to know the way. They descend the crumbling corridors of design’s collapse, through the ruins and anguish of broken promises, failed research, self-absorbed design theorists, and hypocritical designers, to the very nadir of design’s inferno.\u003c\/p\u003e","brand":"Set Margins' publications","offers":[{"title":"Default Title","offer_id":58465745109341,"sku":"9789083499369","price":19.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template-exp_e8d6012a-99ba-4474-934c-25d467ca1fe1.webp?v=1757415096"},{"product_id":"the-manual-of-design-fiction","title":"The Manual of Design Fiction","description":"\u003cp\u003eThis book explores the origins, evolution, and practice of design fiction—creating tangible, evocative prototypes from possible near futures to examine decision-making consequences. As the world grows more complex and unpredictable, anticipating the future is no longer optional—it is essential. From climate change and economic instability to rising inequality and fragile institutions, uncertainty is everywhere. For too long, major decision-makers have viewed the future as a business exercise, engineering problem, or marketing tool. Design fiction offers an alternative: a way to materialize possible futures through artifacts that challenge assumptions, expand foresight, and reveal risks. This book provides a practical approach to integrating design fiction into strategy, research, and innovation.\u003c\/p\u003e","brand":"Set Margins' publications","offers":[{"title":"Default Title","offer_id":58465825685853,"sku":"9789083499390","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template-exp_1a4cbbf2-4b6a-4e47-8e26-e32c51be7b2d.webp?v=1757414742"},{"product_id":"revue-faire-52-a-mode-of-representation-3d","title":"Revue Faire #52","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTo be interested in 3D is to engage with the broad and complex field of image synthesis, or computer-generated imagery (CGI), which spans various fields and contexts of application. Initiated in the United States in the 1970s, research into three-dimensional representation was largely funded by the US military and the film industry, most notably director George Lucas. This issue explores the vast topic through a combination of critical texts and a visual essay by 3D artist and AR creator Harriet Davey. Various approaches are examined alongside some of the aesthetic and economic issues associated with the development of this now indispensable method of image production.\u003c\/span\u003e\u003c\/p\u003e","brand":"Editions Empire","offers":[{"title":"Default Title","offer_id":58466207564125,"sku":"9791095991540","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template-exp_b2fe721b-c7fe-4141-a1a7-b3fc7b9b4365.webp?v=1757413967"},{"product_id":"how-many-female-type-designers-do-you-know","title":"How Many Female Type Designers Do You Know?","description":"\u003cp\u003eThis book surveys the past and present of women working in typography. 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The second part of the volume comprises a series of interviews with 14 women that are either currently working as type designers or are in other ways involved in the field of type design: Gayaneh Bagdasaryan, Veronika Burian, Maria Doreuli, Louise Fili, Martina Flor, Loraine Furter, Jenna Gesse, Golnar Kat Rahmani, Indra Kupferschmid, Briar Levit, Zuzana Licko, Ana Regidor, Fiona Ross and Carol Wahler\u003c\/p\u003e","brand":"Set Margins' publications","offers":[{"title":"Default Title","offer_id":58466279981405,"sku":"9789083532547","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template-exp_e8fac08b-866f-4506-b81b-df3fbf67afa0.webp?v=1757419353"},{"product_id":"the-quick-classification-guide-for-typography","title":"The quick classification guide for typography","description":"\u003cp\u003eNext to a selection of all relevant typefaces this book provides essential knowledge about formal, practical and historical aspects of type.Typography is an essential part of visual communication design. The rapid changes brought about by digitalization also have a major impact on the type design process. Users need a solid knowledge base in order to deal with the seemingly unmanageable abundance of exciting and new fonts and to use them sensibly.A precise and inspiring guide for all those who want to understand and use typography in a focused and effective way, this volume provides both creative inspiration and a practical understanding. This is made possible in particular by a clear structural concept for classification into categories and subcategories, followed by a detailed look at the features. The authors present a selection of more than one hundred relevant typefaces, supplemented by historical background, user-relevant information and explanations of their special formal characteristics to make it easier to recognize the underlying formal principles.\u003c\/p\u003e","brand":"Niggli","offers":[{"title":"Default Title","offer_id":58739249414493,"sku":"9783721210491","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template-exp_fb392009-2f54-489d-a2b7-1b7cdc926324.webp?v=1760013949"},{"product_id":"tah-teorie-pisma","title":"Tah. Teorie písma","description":"\u003cp\u003ePublikace De streek: Theorie van het schrift vyšla poprvé v roce 1985. Noordzijův krátký a svižný text, ilustrovaný jeho vlastními diagramy a příklady, je silným výkladem teorie psaní (v jeho vizuální podobě). Zahrnuje jak západní modely a příklady, tak i mimoevropské reference. Noordzij vychází ze základních principů a svou pozornost věnuje nejprve prostoru kolem písmen: bílému místu, které slouží k definování a rozlišení toho, co které písmeno je. Do nejmenších podrobností popisuje, jak mohou vznikat tahy. Používá přitom jednoduché geometrické pojmy, o které své popisy opírá. Noordzij si ve své odborné praxi brzy uvědomil možnosti, které do návrhu písma přináší počítač. Povzbuzoval své studenty, aby se nezaměřovali pouze na pera a jejich stopy, ale aby si osvojili i kritický přístup k tvorbě digitálních nástrojů. Kniha tedy zdaleka není dílem o umělecké kaligrafii a krásných tvarech. Je spíše systematickým popisem písmen a toho, jak vznikají při psaní – s využitím kterýchkoli dostupných nástrojů a technologií.\u003c\/p\u003e\n\u003cp\u003ePřeklad z nizozemštiny Magda de Bruin Hüblová.\u003c\/p\u003e","brand":"UMPRUM","offers":[{"title":"Default Title","offer_id":62432958775645,"sku":"9788088622260","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template-exp_69c7b4a3-b56d-4f34-a016-f0231474bbee.webp?v=1761919651"},{"product_id":"niche-design","title":"Niche Design","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eNiche Design is a self-published design zine for those who want to think beyond trends and metrics. It brings together 5 essays, 4 interviews, and 10 Q\u0026amp;A pieces with designers and makers who reflect on authenticity, growth, community, and cultural context in design instead of playbooks or superficial tactics. Contributors include voices such as Anton Repponen, Pavel Kedzich, Charles Broskoski, Dave Gorum, and more — all offering perspectives that encourage you to rethink how culture and design shape each other.\u003c\/p\u003e","brand":"Self-published","offers":[{"title":"Default Title","offer_id":63054378860893,"sku":null,"price":33.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template-exp_d77551cb-2294-4acd-86e7-5fc917a119f4.webp?v=1767870667"},{"product_id":"eye-109","title":"Eye #109","description":"\u003cp class=\"line\"\u003eThis issue of the graphic design magazine that always looks as good as, and sometimes better than, the work it covers, features Rick Poynor on Stereolab’s latest record sleeve, Laura Carlin’s picturebook illustrations, and TypeTogether’s Veronika Burian. \u003c\/p\u003e\n\u003cp class=\"line\"\u003e\u003cem\u003eEye\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003eis the world’s most beautiful and collectable graphic design journal, published quarterly for professional designers, students and anyone interested in critical, informed writing about graphic design and visual culture.\u003c\/span\u003e\u003c\/p\u003e","brand":"Eye Magazine Ltd","offers":[{"title":"Default Title","offer_id":63778989211997,"sku":null,"price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template-3_gif_copy_1eb21468-7b19-4af3-bb92-d02c4e4d9f72.webp?v=1773091642"},{"product_id":"nothing-about-interior-architecture","title":"Nothing About Interior Architecture","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOften\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003edissident,\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003esometimes adherent,\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003ci\u003eNothing About\u003c\/i\u003e\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003eis, in essence, indefinable because it is adaptive and fluid. Speculative or hands-on, this discipline\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003e–\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003eif we can call it that\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003e–\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003edisplays all the ambivalences of our contemporary lifestyles: superficial and profound, profane and divine, present everywhere and nowhere,\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003eand\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003eoften regarded as futile, even though it could nonetheless destroy the most beautiful of insides.\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003eThis book brings together a variety of intellectual tools and\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003einsights\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003e–\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003epolysemic and ambiguous, bespoke and improvised, ornamental\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003eand criminal,\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003espanning\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003emedia, technology,\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003ethe arts\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003eand other,\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003eoften undefined fields\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003e–\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003ethat analyze\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003ethe\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003eimpact\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003eof the discipline\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003eon\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003econtemporary design. In the end, what makes\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003ci\u003eNothing About\u003c\/i\u003e\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003echarming is that this inside\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003e–\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003einsofar as it is still defined as such\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003e–\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003ehas only the humble ambition of accompanying beings, both animate and inanimate, within their environment, like a friend who is never far away.\u003c\/span\u003e\u003c\/p\u003e","brand":"Set Margins' publications","offers":[{"title":"Default Title","offer_id":64300475908445,"sku":"9789083532530","price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template-exp_49cefc75-6dc4-478c-baa9-fe562b5dfd91.webp?v=1776943459"},{"product_id":"creative-formats-across-media-and-disciplines","title":"Creative Formats Across Media and Disciplines","description":"\u003cp\u003eCreative Formats Across Media and Disciplines \u003cspan\u003eguides instructors and students to examine how different formats shape meaning. Grounded in art and design practices while recognizing how disciplines from STEM to the humanities use formats to structure information, it bridges the divide between fields where format diversity is readily embraced and those where form and content remain separate concerns. Through concrete examples—video narratives, choreographed dance, quilted data visualizations—it illustrates possibilities for communication in varied contexts.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith teaching tools, expert-authored lesson plans, curated resources, and student stories, the book helps instructors design coursework that offers students options for exploring and expressing ideas creatively. It also serves as a practical resource for students who may not have the time, access, or resources to pursue formal art and design training, providing structured support for working intentionally across formats. Students learn when and why to select formats and how to work within each form's unique affordances and constraints. Where format experimentation often happens in silos, this book fosters shared language and transparent expectations that build format literacy throughout academia—from classrooms to writing centers and into students' creative and professional work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEdited by Sarah Huber, w\u003c\/em\u003e\u003cem\u003eith contributions by Dr. Jennifer Bay, Dr. Sherylyn Briller, Dr. Ian M. Cook, Dr. Erika Carrillo, Eli Craven, Liz Evans, Dr. Daniel Guberman, Dr. Jasmine L. Harris, Kathleen Hickey, Brian Hitselberger, Dr. Alexandria Johnson, Dr. Mary Kosuth, Dr. Shannon McMullen, Sammie L. Morris, Renee Murray, Alyssa Nez , Matt Olson, Dr. Sara Veglahn, Dr. Alison Roth, Patricia Swanson, Dr. Hui-Hui Wang and Courtney T. Wittekind.\u003c\/em\u003e\u003c\/p\u003e","brand":"Set Margins' publications","offers":[{"title":"Default Title","offer_id":64311176986973,"sku":"9789083657523","price":27.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template-exp_41cf6382-42ff-4c38-a37b-a557f940d343.webp?v=1776942950"},{"product_id":"making-matters","title":"Making Matters","description":"\u003cp\u003eThe concern for material existence on our planet is more pressing than ever. ‘Making Matters’ spells out various roles that visual artists and designers play when facing these issues. Collective action is necessary and inevitable. Collective action often changes the artist’s identity and ways of working, from individuality and autonomy to collectivity and collaboration, both locally and globally. This books gives insight into practices that are taking place at the moment on all continents. These practices do not conform to a Western concept of art, nor to traditional distinctions between art, design, research, and activism.\u003c\/p\u003e","brand":"Valiz","offers":[{"title":"Default Title","offer_id":64548239704413,"sku":"9789493246119","price":23.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template-exp_LuciaGandelova_sconflictedcopy2026-04-2915.webp?v=1777479489"},{"product_id":"graphic-design-is-not-innocent","title":"Graphic Design is (...) Not Innocent","description":"\u003cp\u003e'Graphic Design Is (...) Not Innocent' questions ingrained approaches, values, and assumptions of graphic design in globalised societies. The publication aims to initiate a dialogue between designers, scholars, critics, and commissioners, who investigate responsibilities, potentials, politics, limits, and risks of designing visual communication. How innocent is graphic design? Whom is it addressing, whom is it in\/excluding? What does it bring about? This book combines case studies and academic reflections, trying to sketch a common ground for basic research into the parameters and value systems of graphic design.\u003c\/p\u003e","brand":"Valiz","offers":[{"title":"Default Title","offer_id":64548669522269,"sku":"9789492095909","price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template-exp_LuciaGandelova_sconflictedcopy2026-04-2913.webp?v=1777479349"},{"product_id":"design-and-visual-communication","title":"Design and Visual Communication","description":"\u003cp\u003eA long-overdue English translation of Munari''s seminal tract on the everyday value of architecture and design educationThe first ever English translation of Bruno Munari''s Design and Visual Communication (1968) fills a gap in Munari''s output for the English-speaking world and provides a highly relevant guide to bridging architecture and design education and everyday life.Published in 1968 after Munari was invited to the Carpenter Center at Harvard as a successor to György Kepes, the book transforms over 50 lessons, class materials and letters addressed to the city of Milan, into a book on the future of art, architecture and design. Conceived as a living volume, the book is written to inspire current and future designers to push beyond past events, however recent, and develop new tools to see and understand tomorrow''s world.Accompanying the facsimile reproduction of the original volume are in-depth contextual annotations by Jeffrey Schnapp. As a Munari scholar and design historian, Schnapp has spent years unearthing the radical potential of critical historical material. His annotations and micro-interventions throughout the facsimile reprint seek to fulfill Munari''s call for an evolution of the book in form and content and highlight how this work is as relevant today as when originally published.Bruno Munari (1907–98) was an Italian artist, designer and inventor who contributed fundamentals to many fields of visual arts (painting, sculpture, film, industrial design, graphic design) in modernism, futurism, and concrete art and in nonvisual arts (literature, poetry) with his research on games, didactic method, movement, tactile learning, kinesthetic learning and creativity.\u003c\/p\u003e","brand":"Inventory","offers":[{"title":"Default Title","offer_id":64810192240989,"sku":"9781941753712","price":39.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template-3_gif_-Recoveredcopy_3857c357-d5e9-4628-b7d5-0a9ab180c857.webp?v=1779982054"}],"url":"https:\/\/brot.sk\/collections\/design-theory.oembed","provider":"Brot Books Deli","version":"1.0","type":"link"}