{"title":"Culture","description":"","products":[{"product_id":"what-is-culture-for","title":"What is Culture For?","description":"\u003cp\u003ePeople who want to express admiration for culture often say it's valuable 'for its own sake'. The School of Life disagrees: culture is valuable because it is capable of addressing our needs for education, guidance, consolation, perspective, encouragement and correction.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlthough we pay reverence to culture, few have learnt how to use it systematically. Its value is in fact therapeutic. It can assist us to get better at managing the normal troubles of everyday life; like the tendency to get unhelpfully irritated with people we like, to lose perspective over minor matters, to lose sympathy with people who deserve our compassion and to take too harsh a view of our own mistakes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe School of Life believes that the world has, up to now, not properly made use of the huge therapeutic potential of culture. This groundbreaking book shows how to do so.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"The School of Life","offers":[{"title":"Default Title","offer_id":40604692676765,"sku":"9780995753532","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template-exp_4bd7a841-955d-4bff-a962-6cbeef59cc64.webp?v=1775038700"},{"product_id":"new-management-simon-denny","title":"New Management","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSimon Denny's new body of work for Portikus ranks among the most ambitious the artist has developed to date. Over the period of one year, the artist researched and developed an intricate project that has grown to considerable dimensions - both physically and in terms of its critical content. For two months, the monumental gallery space is turned into an homage to technology, communication, and the relentless need for innovation. Simon Denny has produced an embracing and multi-faceted installation that functions as a documentary of the South Korean technology giant Samsung and its global success story. The exhibition's title, \"New Management\", refers to the legendary management philosophy that Lee Kun-hee, Chairman of the Samsung Group, infamously introduced in the early nineties. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eThe “Frankfurt Declaration” as it is referred to within Samsung, is in a way the origin story of their mobile and TV production dominance of today. Samsung are the “biggest electronics company by sales” on the planet. Their hardware is inside many of the most used devices we all rely on, including other brands such as Apple. Samsung products are everywhere today—most present in our mobile devices. These objects clearly have a huge cultural impact and to know the philosophy that they developed from is some way to start figuring out what these objects are.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Mousse Publishing","offers":[{"title":"Default Title","offer_id":41214509547677,"sku":"9788867490714","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template_01copy_1b845da3-eacd-4cc4-9c9b-4579d28cecfd.webp?v=1738672435"},{"product_id":"how-to-be-a-tastemaker","title":"How to be a Tastemaker","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA witty and elegantly curated lifestyle guide from the perspective of creative vanguards.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBringing together the opinions, attitudes, and achievements of contemporary culture’s most influential icons, \u003c\/span\u003e\u003ci\u003eHow to Be a Tastemaker\u003c\/i\u003e\u003cspan\u003e offers a glance into not only the work but also the inner lives of individuals paving the way in their fields. Our hyper-connected society mocks conventional notions of taste, which is why Claudia Schiffer’s modeling advice or discovering Laila Gohar’s life-defining motto can have sizable cultural impacts.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e What is good taste, after all, but having the honesty to announce your ways of thinking and feeling? Through in-depth profiles,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eHow to Be a Tastemaker\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eopens up the world of industry leaders to learn how they’ve made it to where they are—from major life-changing moments and big ideas, down to the books, playlists, and holidays destinations that have enriched their lives.\u003c\/p\u003e","brand":"Gestalten","offers":[{"title":"Default Title","offer_id":41340715696285,"sku":"9783899559897","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template_01copy_2f53b5fc-79fc-412f-bbda-667922cae38f.webp?v=1739189086"},{"product_id":"documents-on-contemporary-crafts-1-5","title":"Documents on Contemporary Crafts 1-5","description":"The unique series on the current issues of contemporary crafts now united in a beautifully designed box\u003cbr data-mce-fragment=\"1\"\u003eThe most important theorists from the crafts field have contributed to these publications\u003cbr data-mce-fragment=\"1\"\u003eDocuments on Contemporary Crafts is a book series published by Norwegian Crafts in collaboration with Arnoldsche Art Publishers. The series provides a critical reflection of contemporary crafts in a wider context and in doing so asks questions about the ties between contemporary craft, fine art and design, thus helping to redefine the concept of crafts as such. The five volumes discuss such topics as skills, materiality, curating, collecting, perception and New Materializm. The more than thirty contributors range from leading craft theorists, such as Jorunn Veiteberg, Glenn Adamson and Liesbeth den Besten, via academics outside the craft tradition, such as Roger L. Kneebone, professor of surgical education, Trevor Marchand, professor of social anthropology, and Margaret Wasz, consultant psychological therapist, to emerging voices like Sarah R. Gilbert, Marianne Zamecznik and Stephen Knott.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNo. 1: Museum for Skills. Skills are essential to the crafts discourse. Yet in an art world that for the last 50 years has become increasingly focused on conceptual strategies, we have seen the tendencies of deskilling and outsourcing. In Museum for Skills, the contributors analyze the current situation for skills by drawing on experience from the fields of brain research, surgery and anthropology.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNo. 2: Materiality Matters. If materiality is a quality-related concept in both contemporary crafts and contemporary art, are we talking about the same notion? Or is there a fundamental difference between, on one hand, a maker's confidence in his or her materials, and on the other, a contemporary artist's use and adaption of a given material?\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNo. 3: Crafting Exhibitions. Curatorial discourse has been an increasingly important aspect of contemporary art. The curator took on a new role as the 'author' of the exhibition. Crafting Exhibitions introduces some of the processes that go into making an exhibition, from developing concepts to the physical realization. The contributors offer different approaches to exhibitions.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNo. 4: On Collecting. Collections make up an important part of the contemporary arts and crafts infrastructure. Collectors and museums help improve the financial situation of artists. Additionally, to be included in the 'right' collection or museum can give an artist a high level of recognition and preserves the art works for the future. On Collecting offers insights into collecting from different perspectives and sheds light on some of the structures that determine the 'collectability' of works of art.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNo. 5: Material Perceptions. 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Grafika Adéla Svobodová.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"UMPRUM","offers":[{"title":"Default Title","offer_id":41462662234269,"sku":"9788088308430","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/2692\/3165\/files\/brot_template_01copy_694a22b2-5ca9-4680-8869-305c5c9aed76.webp?v=1738671251"},{"product_id":"umelec-vila-a-bazen-pagefive","title":"Umělec, vila a bazén","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJe možné se umění naučit?\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePokud ano, je k tomu potřeba vysoká škola? Jakou hodnotu má titul, který získá absolvent vysoké umělecké školy? Kdo je umělec a jakou má plnit úlohu ve společnosti? 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Among the poets, Michael Farrell, shares playful verses marked by magpie intelligence, and Samuel Wagan Watson makes his first forays into prose imagining a celestial encounter. Taking in lost dogs, filth wizards, outback happenings and much more, the HEAT Series 3 Number 2 gathers all things weird, wonderful, and unexpected. Subscribe now to receive each issue as the series evolves, forming a unique, cohesive whole.\u003cbr\u003e\u003cbr\u003eFirst published in 1996, HEAT is a literary journal dedicated to publishing Australian and overseas writers of the highest quality. It returns after a decade-long hiatus with a renewed commitment: to challenge convention and spark international exchange. At the core of HEAT is a desire to bring together writing that is powerful, eccentric and skilful. Rather than being guided by a subject or themes, the journal is drawn to depth of thought, singularity of voice, curiosity and, above all, writing that speaks to the urgency and dynamism inherent in the word ‘heat’ itself.\u003cbr\u003e\u003cbr\u003eHEAT’s third series is edited by Alexandra Christie and designed by award-winning designer Jenny Grigg. Christie is supported by a distinguished editorial advisory board, alongside Giramondo’s founders, Ivor Indyk and Evelyn Juers, and associate publisher, Nick Tapper.\u003cbr\u003e\u003cbr\u003eHEAT’s relaunch in print will be supported by the digitisation of the journal’s archive, allowing a new generation of readers to access contributions to past issues. Fifteen issues were published in the first series of HEAT from 1996–2000. The second series followed with twenty-four issues published between 2001 and 2011. 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Embarking on a voyage similar to that of culinary discovery, it encourages studying art beyond national constraints, cultural dominances, and hierarchies. 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Since the 1990s he has been an indispensable cultural voice: witty and provocative, he has attracted contemporary readers to fine art as few critics have. An early champion of forgotten and overlooked women artists, he has also celebrated the pioneering work of African American, LGBTQ+, and other long-marginalized creators. Sotheby’s Institute of Art has called him, simply, “\u003cem data-mce-fragment=\"1\"\u003ethe\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eart critic.” \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eNow, in\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eArt Is Life\u003c\/em\u003e, Jerry Saltz draws on two decades of work to offer a real-time survey of contemporary art as a barometer of our times. 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And he shares stories of his own haunted childhood, his time as a “failed artist,” and his epiphanies upon beholding work by Botticelli, Delacroix, and the cave painters of Niaux. \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eWith his signature blend of candor and conviction, Jerry Saltz argues in\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eArt Is Life\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efor the importance of the fearless artist—reminding us that art is a kind of channeled voice of human experience, a necessary window onto our times. 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